‘The Studio’ (unrestored) ca. 1968 oil on linen 52” x 78”  private collection  photo by William H. Dodge  this painting is believed to have been exhibited at the  North Carolina Museum of Art  (NCMA) in either 1968 or 1969
       
     
 ‘RAD.ER.DAR’S RAD RED AD’ (Red Cross) exact date unknown (likely late 1980’s) Acrylic + stencil on linen 48” x 50”  private collection  photo by William H. Dodge
       
     
 “ONE STENCIL FORMS ALL THE POSSIBILITIES OF THREE INTO FOUR”  ca. 1977 oil + pencil on canvas  private collection  photo by longtime Vernon Pratt Project collaborator  Keith Isaacs
       
     
 ‘The Studio’ (unrestored) ca. 1968 oil on linen 52” x 78”  private collection  photo by William H. Dodge  this painting is believed to have been exhibited at the  North Carolina Museum of Art  (NCMA) in either 1968 or 1969
       
     

‘The Studio’ (unrestored)
ca. 1968
oil on linen
52” x 78”

private collection

photo by William H. Dodge

this painting is believed to have been exhibited at the North Carolina Museum of Art (NCMA) in either 1968 or 1969

 ‘RAD.ER.DAR’S RAD RED AD’ (Red Cross) exact date unknown (likely late 1980’s) Acrylic + stencil on linen 48” x 50”  private collection  photo by William H. Dodge
       
     

‘RAD.ER.DAR’S RAD RED AD’ (Red Cross)
exact date unknown (likely late 1980’s)
Acrylic + stencil on linen
48” x 50”

private collection

photo by William H. Dodge

 “ONE STENCIL FORMS ALL THE POSSIBILITIES OF THREE INTO FOUR”  ca. 1977 oil + pencil on canvas  private collection  photo by longtime Vernon Pratt Project collaborator  Keith Isaacs
       
     

“ONE STENCIL FORMS ALL THE POSSIBILITIES OF THREE INTO FOUR”
ca. 1977
oil + pencil on canvas

private collection

photo by longtime Vernon Pratt Project collaborator Keith Isaacs